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You Need To Watch Crazy Ex-Girlfriend

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I thought I was super late to the Crazy Ex-Girlfriend party, but turns out the ratings say otherwise, and since the finale of season two just aired and it’s all available to watch on Netflix…

Oh my god, you need to watch Crazy Ex Girlfriend.

Crazy Ex Girlfriend is laugh out loud funny, with great characters and heaps of diversity and originality. The colors are bright, the songs are catchy, and somehow, underneath that, it’s a serious treatment of mental illness with far better representation than you usually ever see.

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Dean for Gilmore Girls is (Not Quite) The Worst

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Since I maligned Jess a couple of weeks ago, it seems only fair to turn my attention to Rory’s other high school boyfriend, Dean.

And god, I hate to say it, because I’ve always hated Dean, but… I think he may be a better boyfriend and person in general than Jess. I know. That’s more of a statement of how awful Jess is than anything in praise of Dean, but it still feels wrong to say.

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Jess from Gilmore Girls is the Worst

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It’s true. When I watched Gilmore Girls as a teenager, I loved Jess. I just wanted him and Rory to live happily ever after. I guess he was cute, and he read a lot, and he could talk really passionately about books, and that was all I needed. Even when watching the Netflix revival, my inner teen squeed when Jess finally appeared on screen.

But I’ve just finished rewatching Season Three for the first time in years and years, and it’s official. Jess is the worst. Like, the actual, literal worst. What was teen!me thinking? How does he have such an important place in so many viewers’ hearts?

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Why I Got Bored of Westworld

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I’ve actually been sitting on this blog post for a while. Originally, it was a discussion of why I was finding it hard to engage with Westworld longterm, but I wanted to watch the latest episode and tweak things to match before sharing it with the world. Well, the rest of Westworld’s first season later, I haven’t been able to motivate myself to catch up. Even putting “WATCH WESTWORLD” on my to-do list didn’t work. So now, this is more of a “why I quit Westworld” post.

Westworld deliberately challenges the idea of relating to and rooting for fictional characters, and although that’s philosophically interesting, it doesn’t make for the most engaging television. At least, not if you’re a viewer who watches precisely for that character connection.

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Gilmore Girls: A Year in the Life

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Gilmore Girls revival! Gilmore Girls revival!!

There was part of me — a super naive part, I admit — that thought that Gilmore Girls would give me the comforting warm fuzzy feelings I needed this month. A return to Stars Hollow, all that fast talking and cultural references, that general “hug and a hot chocolate” feeling that watching the show always gives me… perfect.

But of course, Gilmore Girls has never actually been sunshine and rainbows, and the revival was no exception. After I finished watching it, I felt raw. I felt like it ripped through me, emotionally. I cried so hard. Super ugly crying. (Thanks, phone call in Fall). If the goal of a story is to make me emotionally connected to the characters, then the revival was a huge success.

It wasn’t perfect. Some episodes felt a little long and lacked a focussed plot, like the entire thing was a sprawling six-hour story rather than four 90 minute episodes. And maybe not every episode needed an off-topic set piece like a Movie By Kirk or a Stars Hollow musical. But as an overall experience, I thought it was excellent.

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Westworld

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The first I heard of HBO’s new show Westworld was a not-very-positive review (that I now can’t find again), which said the show was like the ‘new Game of Thrones’, in more ways than one. I wasn’t exactly eager to get pulled into another mess of misogyny with characters just compelling enough that you can’t stop watching, so I ignored it for a while, until people I trust started raving about it and I got overly curious, and ended up marathoning all three aired episodes back-to-back.

Westworld is one of those rare shows that makes me reach for a notebook to scribble down thoughts within about two minutes of starting it. There’s so much to discuss. Does that make it a good show? Was that initial review wrong? Well. I’m not sure yet.

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Pretty Girls in Stranger Things

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In Stranger Things, Nancy is the “pretty girl.” She’s set up in a kind of 80s teen movie protagonist role, both by Eleven and by the show itself. We meet her as the main boy’s older sister, and she ticks off so many tropes that we probably think we can predict where her story is going. She’s the girl who wants to be popular, with a jerk boyfriend, disagreements with her mom, and an awkward nerd guy waiting in the wings who she’s obviously destined to be with as a reward for his inevitable heroism.

She’s also the girl that Eleven borrows dresses and make-up from, the sort of girl that Eleven is apparently trying to emulate — and delighted about emulating — when the boys stick a wig on her and try and make her look “normal” for school.

And this “pretty” plotline seemed to annoy a lot of people. Eleven is, after all, simultaneously an extremely traumatized child and a paranormal-powered badass. We meet her as the polar opposite to Nancy –the supernatural experiment girl with a shaved head who grew up in a lab, and has always been used for other people’s ends. She doesn’t know words like “friends” and “promise,” but she does know “pretty,” and she seems to treasure the idea that it could ever apply to her.

But just as “friends” and “promise” take on great meaning over the course of the show, “pretty” to Eleven doesn’t really seem to mean “pretty.” It’s being “normal,” and, with it, being worthwhile.

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Game of Thrones’ “Girl Power”: Women on Top (and stabbing you while you’re down)

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After criticisms of Game of Thrones’ misogyny rose to a fever pitch last year, the show has been determined to tell us how very feminist it really is. From the obvious “Women on Top” feature in Entertainment Weekly to seemingly endless interviews with cast members (especially cast members who had previously hinted at criticism of the show, like Natalie Dormer) asserting how it’s the most feminist series on TV, the idea that the show is actually super empowering has practically been shoved down our throats.

And, to give the show credit, this wasn’t only a branding effort. As I said last week, this season of Game of Thrones did manage to be less overtly awful, where “less overtly awful” sometimes meant “holy crap, is this even the same show??” when we watched yet another episode without any blatant misogyny.

The show has been helped by the fact that critics can no longer compare its plotlines to events in the books and reach conclusions based on what the writers left in and what they chose to change. That hasn’t stopped those criticisms entirely — instead we’re just guessing what will probably happen or not happen in the books based on the series — but it gives the show more leeway in terms of exploring misogyny in the name of the plot.

But for all its apparently genuine efforts, the show is still clinging to the idea of “feminism” it’s had for many seasons, where strength and badassness mean callousness, cruelty, and killing without guilt or mercy.

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Criminal Empathy in Orange is the New Black

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This post contains MAJOR spoilers for Season 4 of Orange is the New Black.

Well. Season Four of Orange is the New Black sure messed me up.

I managed to get through it without being spoiled for anything, but I almost wish I had known what was going to happen. Or maybe I don’t, because I don’t think I would have watched certain scenes, or the season as a whole, if I’d known what to expect. The gradually building intensity of this season literally gave me a stress headache, but the most horrifying moments still completely shocked and disturbed me, in part because I never really saw them coming.

The season left me with a lot of thoughts and a lot of questions, but right now, let’s talk about show’s obsession with empathy.

Orange is the New Black always walks a fine line between critiquing issues like racism and misogyny and perpetuating them. The show has a clear message about abuse in the prison system, focussing particularly this season on the problems caused by privatisation, and it goes out of its way to humanize every character and paint even horrific acts with shades of grey.

Sometimes, this makes for an incredibly thought-provoking (if deeply upsetting) story. But when the show potentially extends its empathy to the abusers, as it did quite extensively this season, things become tricky. Is it nuanced to consider the humanity of all of the show’s characters, or is it simply feeding into a system where victims are ignored and abusers are given more sympathy than they could ever deserve?

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